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Stories Collection

- "One should try to locate power at the extreme points of its exercise," according to ...
- Chris Bongie. Islands and Exiles: The Creole identities of Post/Colonial Literature. ...
- Black liberation struggle must be re-visioned so that it is no longer equated with ma...
- Joanne V. Gabbin, ed. The Furious Flowering of African American Poetry. Charlottesvil...
- Wilson Jeremiah Moses. Afrotopia: The Roots of African American Popular History. Camb...
- Steven C. Tracy, ed. Write Me A Few Of Your Lines: A Blues Reader. Amherst: U of Mass...
- "The St. Louis Blues," observed Langston Hughes in the summer of 1941, "is sung more ...
- Jared Gardner. Master Plots: Race and the Founding of American Literature. Baltimore:...
- Quincy Troupe. Miles and Me. Berkeley: U of California P, 2000. 189 pp. $19.95.
Thi...
- There might not be a region of the world that reflects the history of colonialism in ...
- Patricia Hill Collins. Fighting Words: Black Women and the Search for Justice. Minnea...
- J. Lee Greene. Blacks in Eden: The African American Novel's First Century. Charlottes...
- Nathaniel Mackey. Whatsaid Serif. San Francisco: City Lights, 1998, 112 pp. $12.95.
...
- We watch strange moods fill our children, and our hearts swell with pain. The streets...
- Hazel V. Carby. Race Men. Cambridge: Harvard UP, 1998. 228 pp. $24.00.
In Race Men,...
- Rose Parkman Davis. Zora Neale Hurston: An Annotated Bibliography and Reference Guide...
- Terrance Hayes. Muscular Music. Chicago: Tia Chucha P, 1999. 80 pp. $10.95.
Terranc...
- The interview that follows was produced in a three-part process. The initial question...
- Seth Forman. Blacks in the Jewish Mind: A Crisis of Liberalism. New York: New York UP...
- Julius E. Thompson. Dudley Randall, Broadside Press, and the Black Arts Movement in D...
- Jaki Shelton Green. Conjure Blues. Durham: Carolina Wren P, 1996. 93 pp. $10.95.
In...
- On any highway in "Autumn Leaves,"
with Miles on mute Cannonball's date
you are i...
- Tracy Mishkin. The Harlem and Irish Renaissances: Language, Identity, and Representat...
- Claudine Raynaud. Toni Morrison: L'esthdtique de la survie. Paris: Belin, 1996. 128 p...
- Mel Watkins. Dancing with Strangers: A Memoir. New York: Simon & Schuster, 1998. 320 ...
- "[On the slaveships, some Igbos] wished to die on the idea that they should then get ...
- Peacocks
three of them
under the birdfeeder
cardinals
hunting and pecking
t...
- Maryemma Graham, Sharon Pineault-Burke, and Marianna White Davis, eds. Teaching Afric...
- Bonnie TuSmith, ed. Conversations with John Edgar Wideman. Jackson: UP of Mississippi...
- Why did Occupation & Uplift come in? As a capitalistic empire, we needed surplus mark...
- That night as I lay in bed in the little town of Gabriel, a thousand miles from all t...
- Lawrence R. Rodgers. Canaan Bound: The African-American Great Migration Novel. Urbana...
- Roberta S. Maguire, ed. Conversations with Albert Murray. Jackson: UP of Mississippi,...
- In his discussion of W. E. B. Du Bois's essay "On Alexander Crummell," the twelfth ch...
- Oct.'94, Plainfield, MA
We park up off Lincoln St;
men are working on the road,
...
- Phillip Page. Reclaiming Community in Contemporary African American Fiction. Oxford: ...
- Francoise Pfaff, ed. Conversations with Maryse Conde. Lincoln: U of Nebraska P, 1996....
- Perhaps the most resonant quality of quiltmaking is the promise of creating unity amo...
- For a human being
who is an artist
the life is one
of twenty-four hours
and b...
- George A. Thompson, Jr. A Documentary History of the African Theater. Evanston: North...
- Joan Herrington. "I Ain't Sorry for Nothin' I Done": August Wilson's Process of Playw...
- The Supreme Court's decision in the 1896 Plessy v. Ferguson case is notorious for hav...
- The wind is silent
Rivers have no reflections
Tell me who I am
John the Baptist...
- Kathy A. Perkins and Judith L. Stephens, eds. Strange Fruit Plays on Lynching by Amer...
- Elizabeth Nunez. Beyond the Limbo Silence. Seattle: Seal P, 1998. 320 pp. $24.00.
E...
- Ira Berlin. Many Thousands Gone: The First Two Centuries of Slavery in North America....
- Kathleen A. Hauke. Ted Poston: Pioneer American Journalist. Athens: U of Georgia P, 1...
- Wanda Coleman. Bathwater Wine. Santa Rosa: Black Sparrow P, 1998. 288 pp. $27.50 clot...
- Narration in Gayl Jones's work, particularly the narrating of the experience of New W...
- Jil Matus. Toni Morrison. New York: Manchester UP, 1998. 208 pp. $59.95.
Jill Matus...
- Zora Neale Hurston's leap beyond national boundaries in her 1938 book of Caribbean fo...
- Steven Weisenburger. Modern Medea: A Family Story of Slavery and Child-Murder from th...
- Lena did look good. She was looking like a woman from a Maya Angelou story. A charact...
- Gurleen Grewal. Circles of Sorrow, Lines of Struggle: The Novels of Toni Morrison. Ba...
- The poetry of sound ... marks the beginning of a new era ... of revolt against the tr...
- Charles W. Chesnutt. Paul Marchand, F. M. C. Intro. Matthew Wilson. Jackson: UP of Mi...
- Sandra Gunning. Race, Rape, and Lynching: The Red Record of American Literature, 1890...
- Gayl Jones. The Healing. Boston: Beacon, 1998. 283 pp. $23.00.
"And when you discov...
- For scholars of early African-American literature, the question of influence can be p...
- Mark Anthony Neal. What the Music Said: Black Popular Music and Black Popular Culture...
- Gayl Jones. Mosquito. Boston: Beacon P, 1999. 616 pp. $28.50.
Language leaps from t...
- Frederick Douglass visited Rome in 1887 and described his sojourn in the concluding s...
- Lundeana Marie Thomas. Barbara Ann Teer and the National Black Theatre: Transformatio...
- John Edgar Wideman. Two Cities. Boston: Houghton Mifflin, 1998. 242 pp. $24.00.
The...
- The social revolution of the nineteenth century cannot draw its poetry from the past,...
- Lloyd L. Brown. The Young Paul Robeson. Boulder: Westview P, 1997. 187 pp. $24.00.
...
- We are difference....our reason is the difference of discourses, our history the diff...
- Tish Dace, ed. Langston Hughes: The Contemporary Reviews. New York: Cambridge UP, 199...
- In his introduction to Best American Short Stories 1996, John Edgar Wideman wrote tha...
- Eugenia C. DeLamotte. Places of Silence, Journeys of Freedom: The Fiction of Paule Ma...
- Never seen directly, talked over and around,
first-named by everyone while titles
...
- Mark Solomon. The Cry Was Unity: Communists and African Americans, 1917-1936. Jackson...
- (For the Archives of Toni Cade Bambara)
The way the story goes, a trespassing towhe...
- A soft note, not quite blue, yet still effective
drips tears through air.
It move...
- Belinda Edmondson. Making Men: Gender, Literary Authority, and Women's Writing in Car...
- (Reading Jayne Cortez)
I'm using my plain brain to imagine her fancy cortex. As if ...
- In The Souls of Black Folk, W. E. B. Du Bois describes." Double-consciousness" as the...
- Life is ruled by Spaces,
even I learned that much:
In a square of light 20 feet a...
- Emily Miller Budick. Blacks and Jews in Literary Conversation. New York: Cambridge UP...
- to Joan Ryan
"You get them in trouble,"
A man told Sugar Ray.
"It's my business...
- Over the decades since the publication of Invisible Man in 1952, anticipation in the ...
- For Mama
with a wrench you removed
a dripping faucet that kept time
through the...
- Robert Butler. Contemporaty African American Fiction: The Open Journey. Teaneck: Fair...
- When winter's dry mouth licks the deep rich earth,
rich folks rub the sleep from th...
- "I too have become acquainted with ambivalence," I said. "That's why I'm here."
Amb...
- I. Find a real villain, not a misunderstood one. A real-live, baby-rapin', lyin'-chea...
- Julia Eichelberger. Prophets of Recognition: Ideology and the Individual in Novels by...
- Readings of Zora Neale Hurston's Seraph on the Suwanee (1948) have often focused on t...
- On September 20-24, 1999, the poet, essayist, and short story writer Harryette Mullen...
- Sheree R. Thomas, ed. Dark Matter: A Century of Speculative Fiction from the African ...
- His lyric gift was incontestable and, indeed, exceptional. But his poetry has none of...
- Katherine Clay Bassard. Spiritual Interrogations: Culture, Gender, and Community in E...
- James C. Hall, ed. Approaches to Teaching Narrative of the Life of Frederick Douglass...
- Best known as a poet and playwright, Sonia Sanchez has also written short stories, ch...
- Kimberly Rae Connor. Imagining Grace: Liberating Theologies in the Slave Narrative Tr...
- Gloria L. Cronin. Critical Essays: Zora Neale Hurston. New York: G. K. Hall, 1998. 27...
- During the second week of May
I stroke a tree in The Brooklyn Botanical Gardens.
...
- Scott DeVeaux. The Birth of Bebop: A Social and Musical History Berkeley: U of Califo...
- William L. Andrews and Nellie Y. McKay, eds. Toni Morrison's Beloved: A Casebook, New...
- a la maniere de Cheney-Coker
Ever since a white cop's bullet labeled you
the usua...
- Craig Werner. A Change Is Gonna Come: Music, Race and the Soul of America. New York: ...
- Charles Coe. Picnic On The Moon. Wellfleet, MA: Leapfrog P, 1999. 79 pp. $12.95.
On...
- Craig Werner. A Change Is Gonna Come: Music, Race and the Soul of America. New York: ...
- Leon F. Litwack. Trouble in Mind: Black Southerners in the Age of Jim Crow. New York:...
- Moira Ferguson. Jamaica Kincaid: Where the Land Meets the Body. Charlottesville: UP o...
- Stuckey, Sterling. Going Through the Storm: The Influence of African American Art in ...
- One of the most interesting and frequently overlooked features of Frances E.W. Harper...
- John Higham, ed. Civil Rights and Social Wrongs: Black-White Relations since World Wa...
- Robert B. Stepto. Blue as the Lake: A Personal Geography. Boston: Beacon P, 1998. 209...
- Weinstein, Randy F. Against the Tide: Commentaries on a Collection of African America...
- When Elizabeth Keckley wrote her 1868 autobiography Behind the Scenes; or, Thirty Yea...
- David Krasner. Resistance, Parody, and Double Consciousness in African-American Theat...
- Gloria Naylor. The Men of Brewster Place. New York: Hyperion, 1998. 173 pp. $22.95.
...
- Wintz, Cary D., ed. The Harlem Renaissance, 1920-1940: Vol. 1--The Emergence of the H...
- It's no accident that people like Malcolm X and Martin Luther King were destroyed at ...
- Aldon Lynn Nielsen. Black Chant: Languages of African-American Postmodernism. Cambrid...
- A fixed law, an established rule: that is what immobilizes narrative. (Todorov 165)
...
- Barbara Johnson. The Feminist Difference: Literature, Psychoanalysis, Race, and Gende...
- Sterling Plumpp. Ornate With Smoke. Chicago: Third World P, 1997. 103 pp. $12.95.
I...
- As an epigraph to the section entitled "Lave Tete," the third section of her novel Pr...
- Gregory P. Lampe. Frederick Douglass: Freedom's Voice, 1818-1845. East Lansing: Michi...
- Sonia Sanchez. Like the Singing Coming Off the Drums. Boston: Beacon P, 1998. 133 pp....
- Edward P. Jones is the author of Lost in the City, a collection of fourteen short sto...
- Albert J. Von Frank. The Trials of Anthony Burns: Freedom and Slavery in Emerson's Bo...
- Felgar, Robert. Understanding Richard Wright's Black Boy: A Student Casebook to Issue...
- June Bug thought he heard a voice calling him to come help. After having fallen aslee...
- Chadwick-Joshua offers a spirited and often eloquent defense of Huckleberry Finn. Eve...
- Gregoire Henri. On the Cultural Achievements of Negroes. Trans. Thomas Cassirer and J...
- Daughter of a Baptist preacher, Zora Neale Hurston spoke from the pulpit every time t...
- Henry B. Wonham. Charles W. Chesnutt: A Study of the Short Fiction. New York: Twayne,...
- Pfeffer, Paula F. A. Philip Randolph, Pioneer of the Civil Rights Movement. Baton Rou...
- Writer as Reader
Rita Dove's The Darker Face of the Earth is a recounting of the Oe...
- Linden Peach, ed. Toni Morrison: Contemporary Critical Essays. New York: St. Martin's...
- Stewart, Jeffrey C., ed. Paul Robeson: Artist and Citizen. New Brunswick: Rutgers UP ...
- The trumpet's mouth is apology.
We sit listening
To Kind of Blue. Miles Davis
B...
- Cary D. Wintz, ed. New York: Garland, 1996. 476 pp. $87.00.
University of Arkansas,...
- in memory of Jimmy Garrison
Sometimes I wish
my fingers were thick
enough to pl...
- Cary D. Wintz, ed. New York: Garland, 1996. Vol. 6, 504 pp., $83.00. Vol. 7, 482 pp.,...
- for my father
If music can be passed on
like brown eyes or a strong
left hook, ...
- Femi Ojo-Ade, ed. Westport: Greenwood P, 1996. 192 pp. $59.95.
Centre of West Afric...
- Melvin's dead.
A cloud-nine moves
a 4-step sway to the left
in 5-part harmony;
...
- Michael Awkward. Chicago: U of Chicago P, 1995. 225 pp. $14.95.
University of Wisco...
- When writing about a canonical figure, one hopes for a measure of interest. And when ...
- April of 1966 was one of the most eventful and paradoxical months in the history of t...
- Deborah E. McDowell. Bloomington: Indiana UP, 1995. 222 pp. $39.95 cloth/$12.95 paper...
- In this scene from James Weldon Johnson's Autobiography of an Ex-Colored Man, the enc...
- agency is the hiatus in iterability (Judith Butler, Bodies That Matter 220) transform...
- Dolan Hubbard, ed. Tennessee Studies in Literature 38. Knoxville: U of Tennessee P, 1...
- As many times as we reopen slavery's closure, we are hurtled rapidly forward into the...
- My recent discovery Georgia Douglas Johnson's "lost" lynching plays ends a scholarly ...
- John Cullen Gruesser, ed. Champaign: U of Illinois P, 1996. 248 pp. $39.95 cloth/$16....
- Leon Forrest was the author of four novels that effectively created an oral history o...
- James Oliver Horton and Lois E. Horton. New York: Oxford UP, 1997. 340 pp. $35.00.
...
- Yoshinobu Hakutani. Columbia: U of Missouri P, 1996. 334 pp. $34.95.
Universita di ...
- Not to plunge into the complex jungle of human relationships and analyze them is to l...
- Peter Hinks. University Park: Pennsylvania State UP, 1997. 301 pp. $45.00.
The Penn...
- Herbert William Rice. New York: Peter Lang, 1996. 155 pp. $35.95.
University of Ill...
- In a recent article proposing a rethinking of the historiography of black working-cla...
- Gary Collison. Cambridge: Harvard UP, 1997. 294 pp. $27.95.
The Pennsylvania State ...
- Sharon Felton and Michelle C. Loris, ed. Westport: Greenwood P, 1997. 275 pp. $65.00....
- bell hooks has made the insightful remark "images that of race and representation hav...
- Samuel A. Hay. Detroit: Wayne State UP, 1997. 302 pp. $34.95.
Reviewed by
Nathan ...
- The terms home and community are frequently uttered with reverence by feminists, non-...
- Wanda Coleman. Santa Rosa: Black Sparrow P, 1996. 292 pp. $27.50 cloth/$15.00 paper.
...
- Ira Aldridge, the first important black American Shakespearean actor, had an odd but ...
- Albert French. New York: Anchor, 1997. 241 pp. $22.95 cloth/$12.95 paper.
Reviewed ...
- Less than a quarter of the way into Richard Wright's The Long Dream, readers are face...
- Philip Weinstein. The Ordeal of Race in Faulkner and Morrison. New York: Oxford UP, 1...
- Jervey Tervalon. 271 pp. New York: Morrow, 1994, $20.00 cloth/New York: Anchor, 1995,...
- Many writers of the black diaspora have embarked upon figurative journeys to the trou...
- Leonard Cassuto. The Racial Grotesque in American Literature and Culture. New York: C...
- The historical and sociopolitical context of Charles W. Chesnutt's The Marrow of Trad...
- Jeanne Rosier Smith. Mythic Gambols in American Ethnic Literature. Berkeley: U of Cal...
- Though the medical and psychological literature contemporaneous with Pauline Hopkins ...
- James V. Hatch and Leo Hamalian, eds. 1920-1940. Detroit: Wayne State UP, 1996. 467 p...
- Among the tortures and devastations of life is this then - our friends are not able t...
- Lynda Marion Hill. Washington: Howard UP, 1996. 269 pp. $29.00.
Reviewed by
Austr...
- If there is a single distinguishing feature of the literature of black women - and th...
- Arnold Rampersad. New York: Knopf, 1997. 512 pp. $27.50.
Reviewed by
Hoyt Purvis ...
- A major concern of story-telling should be restoring values, reversing the erosion of...
- Edward Margolies and Michael Fabre. Jackson: UP of Mississippi, 1997. 213 pp. $28.00....
- The Scissors Lady is here to get me.
Something is cracking and popping on the stove...
- names do give humans power over what they name.
walter ong
Anjail Rashida Ahmad i...
- Sandra Hollin Flowers. African American Nationalist Literature of the 1960s: Pens of ...
- Deborah McDowell. Leaving Pipe Shop: Memories of Kin. New York: Scribner, 1997. 285 p...
- I met trombonist Clifton Anderson initially in Cambridge, Massachusetts; he was part ...
- Saidiya V. Hartman. Scenes of Subjection: Terror, Slavery, and Self-Making in Ninetee...
- Joan Sherman, ed. The Black Bard of North Carolina: George Moses Horton and His Poetr...
- Toni Morrison. Paradise. New York: Knopf, 1998. 318 pp. $25.00.
In the lyrical pros...
- The blues aesthetic is an ethos of blues people that manifests itself in everything d...
- Maggie Montesinos Sale. The Slumbering Volcano: American Slave Ship Revolts and the P...
- Bernard W. Bell, Emily R. Groshoz, and James B. Stewart, eds. W. E. B. Du Bois on Rac...
- Alice Walker. By the Light of My Father's Smile. New York: Random, 1998. 219 pp. $22....
- In his autobiography Black Boy (1945), Richard Wright describes the desperate hunger ...
- Hugh Thomas. The Slave Trade: The Story of the Atlantic Slave Trade, 1440-1870. New Y...
- Charles W. Chesnutt. Mandy Oxendine. Ed. with an intro, by Charles Hackenberry. Urban...
- Patrick Chamoiseau. Solibo Magnificent. New York: Pantheon, 1998. 190 pp. $23.00.
S...
- Plays representing the history of lynching in the United States are only beginning to...
- Elizabeth Abel, Barbara Christian, and Helen Moglen, eds. Female Subjects in Black an...
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